What's new with Bath Drama...

Festive fun!

A huge thank you to everyone that attended our Christmas play reading of Season's Greetings. It was a thoroughly enjoyable evening had by all, and we hope that you all enjoyed the reading, and the evening as much as we did.

We wish you all a wonderful Christmas, and cannot wait to welcome you back in 2022, starting with our wacky and wonderful Panto... Robin Hood & the Babes in the Wood.



Bath Drama's Spring production

Touched by Stephen Lowe

Auditions taking place in November 2021, more information on our Auditions page.

Director's Pitch night!


On Monday 8th November, Bath Drama is inviting directors to come and pitch your ideas and productions to the Bath Drama committee. We are looking to complete our 2022 & 2023 line-up and we're very excited to welcome new talent as well as familiar faces.

Full details can be found on our Homepage.

Bath Drama 2021 AGM

Thank you to everyone who attended. The full minutes of the 2021 AGM can be downloaded, below.

Robin Hood has been cast!

After a successful round of auditions, the cast and crew for this year's Pantomime have been assembled, and the first read through is complete. Tickets will be available for purchase soon, watch this space...


Bath Drama – together with the rest of the amateur drama scene in Bath – has over the last few months lost two remarkable veteran members whose absence will be greatly regretted by their friends and colleagues.

Valerie Lorenz always seemed to have come to Bath and Bath Drama from somewhere more exotic. This was partly thanks to her name, and her experience of foreign places - especially from South Africa, where she lived for a number of years and went to university. In fact, she hailed from Bristol, was born in Easton in Gordano and returned to Bristol after her time in South Africa. She moved to Bath in later years after the death of her husband.

Valerie became involved with the amateur drama scene in this part of the world in the 1980s. She was active in the Octagon Club and the RTC as well as Bath Drama. Bath Drama can perhaps claim priority of place here inasmuch as, besides her performances in many shows – the writer can recall her appearing in Arsenic and Old Lace, Daisy Pulls it Off, Uncle Vanya, at least one panto (Robin Hood) and at least one open-air, the joint RTC-BD-Playing Up version of Chaucer’s Canterbury Tales – she took over the sometimes thankless role of Club Chair for a brief period during the 1990s.

Valerie was a teacher/lecturer by profession and, after raising her four children, ran courses locally for the Open University and the University of the Third Age. The Club benefitted from her scholarship. With her, trying something new often meant trying something old. She taught a course on ‘The Glory that was Greece’ and led us through a rehearsed reading of The Girl from Samos by Menander. She also organized a reading of various medieval mystery plays one Christmas … quite possibly a spin-off from an early drama or history of drama course.


Bath Drama as a whole appreciated the breadth of her interest and the depth of her commitment – she always seemed ready to turn out and help. Thank you, Valerie, for all you gave to Bath Drama – we shall miss you.

Colin Barnes played the part of Mak the sheep-stealer in the Second Shepherds’ Play in the Wakefield Cycle of mystery plays directed by Valerie Lorenz for a reading at BD. But doing a good line in dodgy characters was only part of Colin’s very substantial contribution to the life of Bath Drama in the 2000s and 2010s.

He studied at the Bath Academy of Art in the late 1960s and is listed on the Artists’ Biographies site as a printmaker and photographer. He was a considerable figure on the Bath Art scene before, as far as this writer is aware, he turned his attention to drama.

Colin served on the BD committee for a number of years as the member responsible for organizing and providing the texts for Tuesday readings. In contrast to Valerie, when Colin wanted you to try something new it was usually very new and often avant-garde and edgy. He directed productions of two Howard Brenton plays at the Rondo (Ann Boleyn for the RTC in 2013 and The Arrest of Ai Wei Wei for Bath Drama in 2015). He was also a playwright. He wrote a one-man play The Place of Truth for BD’s compendium of new writing Three Card Trick staged at the Rondo in 2013, Gothic, an adaption of three chilling tales in 2017 and a play about the Halfpenny Bridge disaster produced in
collaboration with the Museum of Bath at Work. Colin was for many years a volunteer at the Museum and thanks to him it became an alternative rehearsal, performance and even social space for Bath Drama.

RIP both of them. Bath Drama sends its condolences to their family and friends and will not forget them in a hurry.

Steve Curtis, Treasurer Bath Drama 2004–19
PS: we are keenly aware that these obituaries may be deficient in terms of both accuracy and
amplitude. The Club would be glad to receive any additions or corrections. SJC